de omnibus dubitandum
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Modified Office Chairs Perform an Autonomous Dance Through Gagosian Gallery

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Nine office chairs, each in a dazzling jewel tone, swirl and scuttle across the reflective floor of Gagosian‘s West 21st Street gallery. PLAY was conceived by Swiss artist Urs Fischer (previously) with choreography for the inanimate objects provided by New York City-based artist Madeline Hollander. The self-propelled furniture is controlled by programming and sensors embedded in their seats which moves them away from visitors or towards each other while swirling through the extensive space. When the performative chairs are running low on battery, they are programmed to head to a machine located inside the gallery that automatically replaces their seats.

Visitors may walk through the herd of functional chairs, observing the pieces as they group together, move in synchronized turns, or scatter. You can interact with the objects yourself during PLAY’s run at Gagosian through October 13, 2018. (via Artsy)

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eugenesucks
1533 days ago
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Watch How Steel Ribbons Are Shaped into Cookie Cutters

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CookieCutter.com makes and sells exactly what you think they do. The Missouri-based company uses a combination of hydraulic and hand-operated machines to shape steel ribbons into classic shapes like gingerbread men, along with more complicated designs like deer and even the Statue of Liberty. The methodical push and pull of the shaping devices makes for great visual fodder, and CookieCutter.com frequently shares their process videos on Instagram and Facebook.

 

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1533 days ago
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Native Argentinean Landscapes Explored in New Hand-Tufted Rugs by Alexandra Kehayoglou

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"Santa Cruz River" (2016-2017), Textile tapestry (handtuft system), wool, 980 x 420 cm, Presented at National Gallery of Victoria (NGV) Triennial | Melbourne, Australia 2018. Commissioned and acquired by the National Gallery of Victoria, Melbourne.

“Santa Cruz River” (2016-2017), Textile tapestry (handtuft system), wool, 980 x 420 cm, Courtesy of The National Gallery of Victoria.

Textile artist Alexandra Kehayoglou (previously) creates functional works of art that explore the natural landscapes of her native Argentina. Her selected locations are often ones tied to political controversy, such as the Santa Cruz River, or areas dramatically altered by human activity, such as the Raggio creek. Kehayoglou uses her craft as a chance as a call for environmental awareness, embedding her own memory and research of the disappearing waterways and grasslands into her hand-tufted works.

Each tapestry uses surplus materials from her family’s factory, which has manufactured industrial carpets for more than six decades. The one-of-a-kind carpets are often installed against the wall, with a section of the work trailing along the floor so visitors can walk or lay on the woven rugs.

In December 2017, her piece Santa Cruz River was included in the National Gallery of Victoria Triennial in Melbourne. The installation showcased her research behind the future damming of the river and her own interpretation of the harm that will continue to influence the surrounding area. Later this month Kehayoglou will present a new site-specific tapestry that explores the tribes of Patagonia in the group exhibition Dream at the Chiostro del Bramante in Rome. You can see more of her work on her website and Instagram.

"Santa Cruz River" detail (2016-2017), Textile tapestry (handtuft system), wool, 980 x 420 cm

“Santa Cruz River” detail (2016-2017), Textile tapestry (handtuft system), wool, 980 x 420 cm

"Santa Cruz River" detail (2016-2017), Textile tapestry (handtuft system), wool, 980 x 420 cm

“Santa Cruz River” detail (2016-2017), Textile tapestry (handtuft system), wool, 980 x 420 cm

"Hope the voyage is a long one" (2016), Textile tapestry (handtuft system), wool

“Hope the voyage is a long one” (2016), Textile tapestry (handtuft system), wool

"Hope the voyage is a long one" (2016), Textile tapestry (handtuft system), wool

“Hope the voyage is a long one” (2016), Textile tapestry (handtuft system), wool

"No Longer Creek" (2016), Textile tapestry (handtuft system), wool, 820 x 460 cm, Presented at Design Miami/ Basel, 2016 | Basel, Switzerland. Commissioned by Artsy. Courtesy of Artsy & The National Gallery of Victoria.

“No Longer Creek” (2016), Textile tapestry (handtuft system), wool, 820 x 460 cm, Presented at Design Miami/ Basel, 2016 | Basel, Switzerland. Commissioned by Artsy. Courtesy of Artsy & The National Gallery of Victoria.

"Santa Cruz River II" (2017), Textile tapestry (handtuft system), wool, 205 x 150 cm

“Santa Cruz River II” (2017), Textile tapestry (handtuft system), wool, 205 x 150 cm

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1533 days ago
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Night Time Eiffel Tower Photos Are a Copyright Violation

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eiffelMost people know that they are not allowed to share copies of their favorite band or film without permission. However, in some areas even your own creations may be illegal to share.

In several countries architectural structures are protected by copyright. That means you have to ask permission from the copyright holder to use your own picture in public.

This is also true for the Eiffel Tower in Paris. The famous landmark was built in 1889 which means that it falls within the public domain. However, the light show was added later and this is still protected by copyright.

It may sound absurd, but taking a picture of the Eiffel Tower at night and sharing that online may be copyright infringement. The stance is confirmed by the Société d’Exploitation de la Tour Eiffel, who note the following on their website.

“Daytime views from the Eiffel Tower are rights-free. However, its various illuminations are subject to author’s rights as well as brand rights. Usage of these images is subject to prior request from the Société d’Exploitation de la Tour Eiffel.”

The issue above was brought to the forefront by the EU Observer, who note that taking pictures of public buildings may lead to copyright violations in France, Belgium and Italy.

Dimitar Dimitrov, policy expert for Wikipedia’s European Wikimedia chapters in Brussels, told the EU Observer that nightly pictures of the Eiffel Tower may indeed be infringing.

“The lightshow is protected by copyright,” Dimitrov notes.

Similar legislation also prevents the public from using photographs of some famous landmarks in Belgium, including the Atomium. This is also why the Atomium’s Wikipedia entry has censored versions or models of the building on its website, instead of the real deal.

Censored Wikipedia entry (Norwegian)
atomium

In most other countries in Europe there is no ban on photos of architectural projects, thanks to a clause in the EU’s Information Society Directive. However, in Belgium, France and Italy this hasn’t been transposed into law.

According to Dimitrov this effectively means that people are not allowed to publicly use photos of the Atomium, Eiffel Tower at night, or any other copyrighted architecture. Not even on social media.

“If you take an image of the Atomium and put it on Facebook, that is copyright infringement,” Dimitrov says.

Good luck enforcing that…

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Source: TorrentFreak, for the latest info on copyright, file-sharing and anonymous VPN services.

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